Gain staging in the digital domain: dBFS, headroom and gain structure explained
Setting the right level at every stage of the chain, from preamp to master bus, is one of the most rewarding and…
Setting the right level at every stage of the chain, from preamp to master bus, is one of the most rewarding and…
Manley reworks its passive tube EQ know-how into two new dual-channel boxes: the Dual Mid Band EQ for sculpting tracks, and the…
Kush Audio relaunches its Omega saturator line with reworked filtering and workflow. Model A leads the way: same trusted distortion algorithms as…
The Kush Audio Omega 2 boils harmonic saturation down to a single knob. Around that simple idea, here are eight plugins that…
The microphone maker beefs up its virtual monitoring plug-in. Space Replicator 2.0 rebuilds real studios and listening spaces inside your headphones, and…
The format that moved music production into the computer is turning thirty. Steinberg is re-releasing five of its earliest plugins — Neon,…
Two men, two coasts of the United States, two opposing visions of sound. East Coast and West Coast aren't music genres but…
Universal Audio brings two of its most iconic reverbs — the EMT 250, the first-ever digital reverb, and the EMT 140 plate…
Nicky Howard's new standalone app, Peak Tamer conditions isolated peaks with gain envelopes — no compression, no color — to give your…
Behringer ships the FLOW 4V, a 10-track 32-bit float field recorder with MIDAS preamps, StageConnect, SMPTE timecode and a USB interface mode…