Mid/Side processing explained: how to use M/S in mixing and mastering
Mid/Side splits the center of a stereo signal from its sides so you can treat them independently. Here's how the encoding works,…
Mid/Side splits the center of a stereo signal from its sides so you can treat them independently. Here's how the encoding works,…
In 2026 the choice between an analogue and a digital console no longer turns on sound but on how the stage is…
For its fiftieth anniversary, Harrison enters the interface market with the Flex-10, a 10-in/12-out, 32-bit/192 kHz unit that borrows the ergonomics of…
REISEI puts spectrum analysis, EQ, dynamics, saturation, stereo imaging and limiting on a single screen, and adds a PARTIAL EQ mode built…
Dusk Audio is back with Tape Echo 2, a free, open-source emulation of the legendary Roland Space Echo. Three playback heads, a…
The Roland RE-201 Space Echo is still the reference for tape echo. Here are eight plugins that bring it into your DAW,…
Softube releases the Reference 1998 and Reference 1956 Equalizer, two passive tube EQs built for colour and broad musical moves. Available for…
Triton Audio, the company behind the FetHead, adds a single-knob tone control to its in-line preamp. The Tilt EQ delivers 22 dB…
GC Audio unveils the Producer Channel, a fully analog channel strip whose every setting saves and recalls instantly thanks to motorized pots…
Focusrite brings its ISA transformer preamp — the one Rupert Neve designed for the Air Montserrat console — inside a USB-C interface.…