Dynamic EQ explained: how it works and when to use it (vs multiband)
A dynamic EQ is an equalizer that only corrects when it needs to: each band moves only when the level crosses a…
A dynamic EQ is an equalizer that only corrects when it needs to: each band moves only when the level crosses a…
Going from a 24- or 32-bit mix to a 16-bit master is not a simple truncation: without care, the process creates distortion.…
MOTU shrinks its OctaPre recipe into a half-rack box: eight preamps, ESS Sabre32 conversion, onboard DSP and a clever optical-expander trick, all…
ADAM Audio reveals two studio subwoofers built for stereo and immersive work: the Sub8 PRO and Sub10 PRO. Class D amplification, onboard…
Mastering The Mix launches CARBON Q, a 'connected' equalizer: drop several instances on your mix and its stems and they link automatically,…
The equalizer is the most used tool in mixing and the most misused. This guide walks through filter types, EQ architectures and…
Softube launches two in-house limiters rather than emulations: Limit Pro, an advanced processor built for mastering, and Limit Go, a streamlined version…
WaveMachine Labs has rebuilt Drumagog, its drum replacement plug-in, in what it calls the biggest update in over twenty years. The headline…
Your monitors are the one reference that judges every mix decision you make. Woofer size, sealed vs ported, listening distance, room correction:…
BLEASS turns reverb into a sound-design playground. Spectral Reverb splits the signal into frequency bands, lets you shape decay, attack and width…