How to mix live sound at front of house: a method for a mix that holds up
Mixing front of house isn't pushing faders at random. It's a method: an order of priority, subtractive moves, an ear on the…
Features
SDI embedded audio explained: groups, channels, embedders and de-embedders
In television, audio travels inside the SDI video signal. This guide explains how sixteen channels fit into a video cable, the role…
What is EQ? Equalization explained: filters, bell, shelf and how to EQ cleanly
The equalizer is the most used tool in mixing and the most misused. This guide walks through filter types, EQ architectures and…
Dead air and silence detection: how radio keeps the air chain safe
Dead air — unexpected silence on the air — is every station's nightmare. We explain how a silence detector spots an abnormal…
How to match amplifiers and speakers: power, ohms, bridging and headroom
How many watts for your speakers? Do you really need an amp twice as powerful? What does bridged mode change? We untangle…
What is an STL? Studio-to-transmitter links explained: microwave, IP and composite
Between the studio and the tower, one link decides whether your station stays on air: the studio-to-transmitter link, or STL. Classic microwave,…
Wedges vs in-ear monitors: how to choose your stage monitoring
Floor wedges or in-ear monitors? Your monitoring choice shapes stage volume, front-of-house clarity and player comfort. Here, without dogma, is what each…
How to choose studio monitors: nearfield, ported vs sealed, and placement
Your monitors are the one reference that judges every mix decision you make. Woofer size, sealed vs ported, listening distance, room correction:…
Point source vs line array: which PA system should you choose?
Point source and line array aren't two price tiers but two physics of sound radiation. Understanding how each one radiates, throws and…
Best radio and podcast microphones: dynamic voice mics, placement and the processing chain
In radio and podcasting, the spoken voice almost always runs on the same type of mic: a large-diaphragm dynamic. Here's why, which…