How to mic a drum kit live: choosing and placing your microphones
Miking drums on stage is nothing like the studio: a noisy stage, bleed everywhere, and an absolute priority on kick and snare.…
Miking drums on stage is nothing like the studio: a noisy stage, bleed everywhere, and an absolute priority on kick and snare.…
A limiter is the last line of defence in your chain: it sets a ceiling the signal can't cross. Dialed in well,…
Multiplexes, COFDM, HE-AAC, single-frequency networks: behind the DAB+ logo sits a broadcast mechanism very unlike FM. Here is how digital terrestrial radio…
Mic preamps, a multitrack recorder, pads and a remote guest in a single box: seven podcast consoles that do the Tascam Mixcast…
The Tascam Mixcast 4 packs mic preamps, a multitrack recorder, a USB interface and sound-pad playback into one touchscreen station. Here is…
The main PA never covers the whole room: the front rows, the sides and the back all need fill loudspeakers. Front-fills, out-fills,…
Producing a live show without sending the whole crew on site: that's the REMI promise. Here's the model, and above all its…
Arriving with a console already patched, named and pre-set changes everything. Here's how to prepare a digital console offline: manufacturer editors, templates,…
A transient shaper sculpts a sound's attack and sustain independently of its level. Here's what a transient is, how this processor differs…
Behind a station that runs 24/7 sits a playout system and a production method. Automation, live assist, voice-tracking, imaging : here is how…