Dawesome Abyss II: the synth that turns sound into colour goes deeper
Dawesome sets Abyss II for 20 August 2026: the second generation of its visual synth deepens the engine, adds a mono mode,…
Dawesome sets Abyss II for 20 August 2026: the second generation of its visual synth deepens the engine, adds a mono mode,…
Softube releases the Reference 1998 and Reference 1956 Equalizer, two passive tube EQs built for colour and broad musical moves. Available for…
Lawo gives its Edge One a European debut at IBC 2026: a compact edge device combining video (SDI, HDMI) and audio (MADI,…
Triton Audio, the company behind the FetHead, adds a single-knob tone control to its in-line preamp. The Tilt EQ delivers 22 dB…
Just months after being acquired by inMusic, Native Instruments is going through a heavy restructuring: a reported UK office closure, roles on…
Pittsburgh Modular brings its flagship semi-modular workstation back to life. The Lifeforms SV-2 is no mere SV-1 facelift: it's a complete rethink,…
Fender rolls out its first two pad controllers, the Motion 16 and Motion 32. Each packs FATAR-built RGB pads with polyphonic aftertouch,…
GC Audio unveils the Producer Channel, a fully analog channel strip whose every setting saves and recalls instantly thanks to motorized pots…
Focusrite brings its ISA transformer preamp — the one Rupert Neve designed for the Air Montserrat console — inside a USB-C interface.…
For 808 day, Berlin’s Tubbutec unveils a kit that swaps the Roland TR-808’s original processor for a new CPU. On the menu:…