Delay in the mix: slapback, ping-pong and tempo-synced echo that breathes
Delay is one of the simplest effects to understand and one of the easiest to misuse. Echo types, the settings that matter,…
Features
Wavetable synthesis explained: how a table of waves builds sound
From the PPG Wave to Serum, wavetable synthesis powers a huge share of today's productions. Here's how it actually works, how it…
The best in-ear monitors for the stage in 2026: 7 IEMs, from budget to custom
Switching to in-ear monitors changes a performer's life on stage — provided you pick the right earpiece. Here are seven honestly ranked…
Mid/Side processing explained: how to use M/S in mixing and mastering
Mid/Side splits the center of a stereo signal from its sides so you can treat them independently. Here's how the encoding works,…
Analogue or digital mixing console: which should you choose in 2026?
In 2026 the choice between an analogue and a digital console no longer turns on sound but on how the stage is…
Setting stage monitor level and EQ: how to win gain before feedback
On stage you equalise first to win gain before feedback, and intelligibility comes second. Understanding the loop, finding the resonances, cutting narrow,…
Setting up an in-ear monitor system: wiring, frequencies and settings
Console feed, frequency plan, gain structure, limiter: the full method for an in-ear rig that survives the night, and the mistakes that…
FM synthesis explained: operators, algorithms and why it sounds the way it does
Frequency modulation synthesis has a reputation for being obscure. Yet it rests on a handful of simple ideas: operators, frequency ratios and…
Line arrays explained: how a line-source PA really works (and when to skip it)
The line array redefined concert sound, yet its principle is still widely misunderstood. Source coupling, near-field summation, curvature, vertical control and system…
Like the Space Echo: 8 tape echo plugins (free and paid)
The Roland RE-201 Space Echo is still the reference for tape echo. Here are eight plugins that bring it into your DAW,…