Yamaha DMP11
8×2 rack digital mixing processor, the DMP7's little brother
Original launch price (new) 198,000 JPY
Description
Technical
Specifications
Inputs / Outputs
| Total inputs | 8 |
|---|---|
| Mic inputs | 0 |
| Line inputs | 8 |
| Total outputs | 2 |
Processing
| Mix buses | 2 |
|---|---|
| Aux sends | 2 |
| Matrices | 0 |
| DCA/VCA groups | 0 |
| DSP engine | Moteur numérique Yamaha (effets de la génération SPX) |
Surface
| Physical faders | 10 |
|---|---|
| Control | Contrôle MIDI ; télécommande optionnelle RLC1 |
| Motorized faders | No |
| Fader layers | 1 |
| Screens | 1 |
| Touchscreen | No |
| Faders | 10 faders non motorisés (8 voies + RETURN + STEREO), à fonctions multiples (niveau / départs d'effet) |
Recording
| Onboard recording | No |
|---|
Networking
| Redundant PSU | No |
|---|---|
| Redundant networking | No |
Other
| Config Mix | 8 voies mono ligne → bus stéréo (8×2), plus un retour d'effet |
|---|---|
| Eq | Égaliseur numérique 2 bandes par voie : fréquence, gain ±15 dB, Q de 0,1 à 5,0, modes peaking / shelving / dynamique |
| Effects | 2 systèmes d'effets internes : EFFECT 1 (20 types : reverb, gate reverb, delay, echo, flanger, phasing, tremolo, symphonic, pitch…) et EFFECT 2 (5 types) |
| Scenes | 96 mémoires de scènes (rappel total de tous les paramètres), pilotables par Program Change MIDI |
| Cascade | Chaînage numérique de plusieurs DMP11 via connecteur DIN 8 broches (le master est sommé dans le slave) |
| Format | Format rack (traitement entièrement numérique, entrées niveau ligne, A/N en entrée et N/A sur la sortie stéréo) |
Strip & details
Rotate your phone to landscape for a better view of the strip.
Accessories
Other
- RLC1
Optional remote controller for operating the DMP11 remotely (exact reference to be verified).
Editorial & artists
Our take
History & design
The Yamaha DMP11 is a digital mixing processor launched in August 1988, a compact and affordable derivative of the DMP7 (1987). It mixes eight mono line-level channels to a stereo bus (8×2 architecture) with fully digital processing: the signal is A/D-converted on input and stays digital until the D/A stage of the stereo outputs.
Each channel offers a two-band digital EQ (frequency, ±15 dB gain, Q from 0.1 to 5.0, peaking / shelving / dynamic modes) and access to two internal effect systems: EFFECT 1 (20 SPX-family algorithms) and EFFECT 2 (5 algorithms). All parameters, including fader positions, are stored in 96 recallable scenes, switchable via MIDI Program Change. Unlike the DMP7, the DMP11 drops motorised faders and the external send/return loop. Several units can be digitally cascaded through an 8-pin DIN connector.
Links
Related consoles
Some merchant links are affiliate links. Purchases may support Digital Mixing at no extra cost.
Documents are archived locally for preservation. Source credited. Takedown requests: [email protected]