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How the Super Bowl halftime show sounds: DiGiCo Quantum338 and a separate broadcast mix
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Like the Behringer JN-80: 8 clones of legendary analog polysynths (hardware and plugins)
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The 1176 compressor explained: FET limiting, revisions and the all-buttons mode
Allen & Heath Qu-3 and Qu-3D: price, specs and the compact 96 kHz Qu mixers
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Bose MA3 Micro Array: specs and the compact passive modular array for…
Allen & Heath Qu-3 and Qu-3D: price, specs and the compact 96…
Stage mic splitters explained: feeding FOH, monitors and broadcast
How to fly a line array safely: motors, bumpers and rigging explained
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JBL 3 Series MkIII: release date, specs and the front-firing Slipstream port
Universal Audio Capitol Studios: price, specs and real-time room modeling
The 1176 compressor explained: FET limiting, revisions and the all-buttons mode
iZotope Photon: price, specs and local GPU AI stem separation
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How the Super Bowl halftime show sounds: DiGiCo Quantum338 and a separate…
SMPTE ST 2110 explained: the -20, -30 and -40 essence streams
NUGEN Audio VisLM 3: price, LDR metering and loudness QC reports
Sony ECM-W5: price, specs and in-camera 32-bit float recording
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Like the Behringer JN-80: 8 clones of legendary analog polysynths (hardware and…
Dreadbox Alecto: specs and the two-voice analog percussion synth
Audiomodern Riffer 4: price, specs and five MIDI generation engines
Gene Synths GENE 616: price, specs and the all-analog polyrhythmic drum machine
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