Description
Technical
Specifications
Surface
| Motorized faders | No |
|---|---|
| Touchscreen | No |
Recording
| Onboard recording | No |
|---|
Networking
| Redundant PSU | No |
|---|---|
| Redundant networking | No |
Other
| Principe | Principe « SARP » : contrôle numérique d'un trajet audio en rack, affichage des réglages sur moniteur vidéo |
|---|---|
| Ergonomie | Console assignable à fonctions centralisées ; commandes réduites à trois types (On, Off, Variable) |
| Rappel | Configuration rapide dès la mise sous tension (pré-mix faders + auxiliaires + EQ de base en quelques minutes) |
| Affichage | Moniteur vidéo affichant boutons/interrupteurs animés, code couleur d'état |
| Voies | Nombre de voies/bus non confirmé — à vérifier |
Documents
Editorial & artists
Our take
History & design
The SAJE Memory is a French computer-controlled live-sound console unveiled at the CTEAP show in Paris in December 1985. It relies on an in-house principle called 'SARP', which applies digital control to a signal path handled by rack-mounted audio electronics: settings are shown on a video monitor as animated 'knobs' and 'switches', with colour coding indicating switch status.
The idea grew from an observation: as consoles grew larger (8, then 16, and soon 24 auxiliaries), they became bulky and slow to reconfigure. Rather than adding ever more knobs, SAJE centralised functions and reduced commands to three fundamental types: On, Off and Variable. The main benefit is configuration speed: from power-up, an engineer can get a rough mix on the main faders and auxiliaries, with basic EQ, within minutes.
SAJE deliberately designed the Memory as a live console (PA, broadcast, mobile recording), reasoning that a live desk demanding in speed would then be easier to adapt to the studio than the other way around. Low-profile and little covered by the press of its day, the Memory nonetheless remains a French pioneer of the assignable, graphic-display console concept.
- Patrick Aufour — Directeur général SAJE / concepteur (équipe SARP)
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