Description
Technical
Specifications
Processing
| Mix buses | 27 |
|---|---|
| Channels | 48 input channels (up to 56 depending on configuration), remote-controlled mic preamps |
| Buses | 27 mix buses |
| Effects and plug-ins | 6 stereo effects engines |
| Channel processing | 40-bit floating-point processing, managed latency |
| Groups and VCA/DCA | VCA and POPulation groups for channel navigation |
Surface
| Motorized faders | Yes |
|---|---|
| Touchscreen | No |
| Faders | Physical fader count to be confirmed |
Recording
| Onboard recording | No |
|---|
Networking
| Networking & protocols | AES50 / MADI |
|---|---|
| Redundant PSU | No |
| Redundant networking | No |
| Audio networking | AES50 (SuperMAC) networking; MADI via optional card |
Strip & details
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Software
Midas PRO Series Offline Editor
Other screenshots
Accessories
Stagebox / rack
- Midas DL251 / DL252 Stagebox
AES50 stageboxes paired with the PRO Series to remote the I/O.
Editorial & artists
Our take
History & design
The Midas PRO3 is a digital live console (also usable in the studio) introduced in 2009, positioned as the compact, more affordable option in the PRO Series (alongside the PRO6 and PRO9). It offers 48 input channels (up to 56 depending on configuration) with remote-controlled mic preamps, 27 mix buses and six stereo effects engines. Like the whole PRO Series, it runs 40-bit floating-point processing with managed latency and provides VCA and POPulation groups. Network connectivity relies on AES50 (SuperMAC), with MADI available via optional card.
Links
Related consoles
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