Midas

Midas PRO6

The touring console that carried the Midas sound into the digital world

Description

With the PRO6 (2008), Midas brought its touring know-how into a compact yet complete digital format: 64 channels, 35 buses, 96 kHz and 40-bit floating-point processing, served by 29 motorised faders and a “layer-free” workflow built on VCAs and POPulation groups. What I like here is the continuity with the Midas philosophy — musical preamps and EQ, front-of-house immediacy — in a box that fits in a truck. It became a touring and festival standard, and its engine’s upgrade path to the PRO9 made it a real investment.

Technical

Specifications

Inputs / Outputs

Total inputs64
Mic preampsMidas mic preamps (via DL stageboxes over AES50), prized for their quality

Processing

Mix buses35
DCA/VCA groups10
DSP engineMidas DL371 (5 DL371A cards, 24 Gflops)
Max sample rate96 kHz
Bit depth24 bits
Processing resolution40 bits
Architecture64 input channels, 35 mix buses, 40-bit floating-point processing at 96 kHz
DSP engine — detailsDL371 audio engine (5 × DL371A cards, 24 Gflops); upgradeable to PRO9 (88 channels)

Surface

Physical faders29
Motorized fadersYes
Fader layers1
Screens2
TouchscreenNo
Faders29 Midas PRO 100 mm motorised faders
ErgonomicsLayer-free navigation via 10 VCA and 6 POPulation groups

Recording

Onboard recordingNo

Networking

Networking & protocolsAES50 / Network
Redundant PSUYes
Redundant networkingYes
Audio networkingAES50 and HyperMAC networking: up to 288 inputs / 294 outputs assignable at 96 kHz
RedundancyRedundant power supplies and network links

Physical

Width1,365 mm
Depth924 mm
Height431 mm
Weight90 kg

Editorial & artists

Our take