Audio compression explained: threshold, ratio, attack, release and compressor types
Threshold, ratio, attack, release, knee, and the VCA, FET, opto and tube families: a clear guide to audio compression so you stop…
Threshold, ratio, attack, release, knee, and the VCA, FET, opto and tube families: a clear guide to audio compression so you stop…
Drawmer launches two 500-series compressors with an identical layout: the smooth, natural OC1 opto and the fast, punchy FC1 FET. Around 290…
The volume pedal is often seen as a simple utility tool on a pedalboard. With the Canvas Volume, Walrus Audio proves you…
Asparion spins its modular D700 control surface into a 19-inch rackmount version: 16 high-resolution 100mm motorized faders, 17 RGB encoders, 76 LED…
At 135 grams, the MAT 16X8 squeezes sixteen inputs and eight outputs into a box the size of a phone. USB bus-powered,…
The Acustica Mystic 2 put the tube console channel back in the spotlight with its neural modeling. Around the same idea (preamp,…
With Mix Unlock, Waves moves source separation from an offline process to a real-time tool integrated into the DAW. You can unfold…
Audio Damage releases Tessera, a 12-voice tuned resonator plugin: 11 physical models, 5 motion engines, no DRM, and Mac/PC/Linux/iPad builds. From $39.
Soyuz is adding a third member to its 017 series, the brand’s flagship range. The Silver 17 is a large‑diaphragm tube condenser…
Twenty-five years after the first version, Waldorf is resurrecting its iconic drum engine with Waldorf Attack 3. With a completely redesigned interface,…