Description
Technical
Specifications
Inputs / Outputs
| Inputs / outputs | 4U remote racks up to 21 modules: 64-ch MADI fibre, AES/EBU, analogue, mic preamp, SDI→MADI |
|---|
Processing
| Mix buses | 128 |
|---|---|
| Processing engine | FPGA Crystal Core processor (2U), sub-1 ms latency, hot-swappable redundant second engine |
| Channels | EVO.Live: 104 input channels |
| Buses | 128 bus elements: main up to 5.1, 24 sub, 24 aux, 16 mix-minus, 24 multitrack |
Surface
| Motorized faders | Yes |
|---|---|
| Touchscreen | No |
| Faders | 12 to 60 motorised 100 mm faders (6- or 12-fader panels), per-strip displays and encoders |
| Ergonomics | Self-labelling Picture Keys, iCAN (custom layouts), Dual-Operator mode |
| Metering | R128 loudness metering on the main bus |
Recording
| Onboard recording | No |
|---|---|
| Recording | Built-in audio recorder up to 192 simultaneous tracks |
Networking
| Networking & protocols | MADI / AES/EBU |
|---|---|
| Redundant PSU | No |
| Redundant networking | No |
Other
| Variants and configurations | EVO Post (2010, mixer + DAW for post) and EVO.Live (2014, broadcast/live) |
|---|
Strip & details
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Rotate your phone to landscape for a better view of the strip.
Software
Logiciel EVO (Fairlight Media Toolkit) v4.x
Other screenshots






Documents
Editorial & artists
Our take
History & design
The EVO range is Fairlight's last generation of hardware consoles before the Blackmagic acquisition. It comes in two models: EVO Post (launched 2010), an integrated mixing and audio-editing workstation (mixer + DAW) widely used in post-production, and EVO.Live (introduced at NAB 2014), the broadcast and live/on-air variant.
The heart of the system is the Crystal Core audio processor, an FPGA architecture housed in a 2U unit, offering very high channel and bus counts with sub-millisecond latency. A second hot-swappable Crystal Core engine with redundant power supplies ensures live reliability. On the EVO.Live, the configuration reaches 104 input channels and 128 bus elements (main bus up to 5.1, 24 subs, 24 auxes, 16 mix-minus, 24 multitrack), with a built-in audio recorder up to 192 simultaneous tracks and R128 metering.
The modular surface scales from 12 to 60 faders (panels of 6 or 12 motorised 100 mm faders with encoders and displays). Picture Keys re-label themselves automatically for each task, iCAN (Integrated Control across Network) technology lets operators design custom layouts, and a Dual-Operator mode lets two engineers work independently. I/O runs through 4U remote racks (up to 21 modules: 64-channel MADI fibre, AES/EBU, analogue, mic preamp, SDI-to-MADI conversion).
Notable users
- CatholicTV Network
First installation of an EVO.Live console (broadcast).
Links
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