Fairlight

Fairlight Constellation

Post-production digital mixing console with Crystal Core FPGA engine, integrated DAW and video

Description

The Constellation takes the "everything in one console" idea to the extreme: the Crystal Core engine puts a large mixing-console architecture on a single FPGA chip, then adds a 192-track multitrack recorder (the "Dubber") and even an HD video system. What impresses me is the always-available processing density — 6-band EQ and 3-stage dynamics on each of 230 channels, with no load on the host PC — and the surface's modularity, from the single-bay Producer Desk to huge multi-operator film configurations. Not to be confused with the 2003 DREAM Constellation, which shares the same surface but runs on the QDC engine.

Technical

Specifications

Inputs / Outputs

Inputs / outputsCC-1 + SX-20 base: 64 MADI in / 64 MADI out, switchable mic/line XLR/TRS inputs, S/PDIF; video sync (BNC, bi/tri-level), Word Clock, timecode, RS-422 master/slave, MIDI. Expandable via SX-48 Signal Exchange (up to 264 physical inputs / 284 outputs on Xynergi configuration). Surface linked to engine rack over TCP/IP Ethernet (Cat-5). VST and ReWire support via the Windows XP host. Source: brochure.

Processing

Mix buses72
Aux sends12
DSP engineCrystal Core CC-1 (FPGA)
Processing resolution36 bits
DSP engine — detailsCrystal Core CC-1 engine: a large mixing-console architecture on a single FPGA chip, native 36-bit floating-point processing. Mixes up to 230 channels into 72 destinations. 2000×2000 internal router. Very low latency (single-chip solution). Source: Fairlight Product Family brochure.
ChannelsUp to 230 full processing channels (96 / 144 / 230 configurations). Each channel: 6-band EQ (bands 1 and 6 switchable shelf/high-low-pass, 4 parametric bands) with level compensation, HPF/LPF, 3-stage dynamics (compressor, expander/gate, limiter) — native algorithms, always available. Source: brochure.
Buses72 destinations ("bus elements") shared across the main bus, 8 sub-groups and 12 auxes, each configurable from 0 to 7.1 (3D 22.2 formats supported), plus 24 mono multitrack buses (recording groups). 2-stage bus dynamics (comp + limiter) + EQ/filters. Source: brochure.
PanningL-R and F-B panning, joystick or graphical mouse-field control, 3D up-down axis; Divergence, Spread and Rotate controls, sub-bass/boom channel with individual level and pre/post. Source: brochure.

Surface

Physical faders72
Motorized fadersYes
Screens1
TouchscreenNo
Control surfaceControl surfaces from the single-bay Producer Desk up to 5 bays in one line, with "wedge" sections to wrap the ends; maximum 72 faders per surface, multiple surfaces combinable (each with its own engine). Panel choices: motorised faders + panpots (12 channels), Xynergi Centre Section, Edit Panel (Binnacle style), Selection Panel, Central Assign Panel, In-Line Panel, Anthem Panel. Source: brochure.

Recording

Onboard recordingYes
Recording typeHard drive
RecordingBuilt-in "Dubber": multitrack recorder with dedicated editing surface, 192 tracks per engine (up to 96 simultaneous record); engines combinable up to 1200 tracks in sample lock for film. Integrated Pyxis Track video system (uncompressed HD 4:2:2). Source: brochure.

Networking

Networking & protocolsMADI / AES/EBU / Network
Redundant PSUNo
Redundant networkingNo

Editorial & artists

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