Tascam

Tascam DM-24

The project-studio digital console that delivered 24/96 and TC/Antares effects on a budget

List price at launch 2,499 GBP as of 2001

Description

The Tascam DM-24 (2001) was an ideal gateway to digital mixing in the project studio: 32 channels, 8 buses, 24-bit/96 kHz conversion, EQ and dynamics everywhere, and above all two effect processors carrying TC Works reverbs and Antares mic/speaker modelling — covering a lot of ground with no outboard. In use I find it very generous for the price: the 16 motorised faders across three layers and the single screen mean some navigation, but the audio quality and effects payload were remarkable for the era and cost.

Technical

Specifications

Inputs / Outputs

Total inputs32
Mic inputs16
Line inputs16
Inputs16 analogue mic/line inputs, 24-bit / 96 kHz capable
Inputs / outputs24 channels TDIF, 8 channels ADAT optical, plus AES-EBU and S/PDIF

Processing

Mix buses8
Aux sends6
Max sample rate96 kHz
Bit depth24 bits
Processing resolution24 bits
Architecture32-channel, 8-bus console; 16 long-throw motorised faders across 3 layers (+ master fader)
EQ4-band parametric EQ + compressor (pre/post-EQ) per channel; gate/expander on first 16 channels; delay
Effects and plug-ins2 stereo effect processors: TC Works reverbs (99), Antares mic/speaker modelling (83 mics, 10 speakers), +127 general effects
Surround and immersive5.1 surround mixing by assigning the 8 buses
Modularity and expansion2 interface-card slots: ADAT, AES-EBU, analogue, cascade

Surface

Physical faders17
Motorized fadersYes
Fader layers3
Screens1
TouchscreenNo
AutomationAutomation up to 64,000 events, quarter-frame accuracy; scene memories

Recording

Onboard recordingNo

Networking

Networking & protocolsADAT / AES/EBU
Redundant PSUNo
Redundant networkingNo

Editorial & artists

Our take