Description
Technical
Specifications
Processing
| Architecture | Fully modular digital broadcast console, hybrid design accepting both analogue and digital sources and outputs |
|---|---|
| Buses | Four stereo busses, dual-domain outputs, sample-rate conversion on all digital inputs |
| Modularity and expansion | 18- or 26-position frames (12 or 20 input modules); interchangeable input daughter cards to switch analogue-to-digital in the field |
Surface
| Motorized faders | No |
|---|---|
| Touchscreen | No |
| Metering | Full-scale peak + VU LED metering, LED-illuminated switching throughout, automatic timer, machine interface and clock as standard |
Recording
| Onboard recording | No |
|---|
Networking
| Networking & protocols | AES/EBU |
|---|---|
| Redundant PSU | No |
| Redundant networking | No |
Power
| Power supply | External rackmount Audioarts SPS-100 power supply (2U), convection cooled |
|---|
Documents
Editorial & artists
Our take
History & design
The Audioarts D-75 is a digital broadcast mixing console, fully modular and hybrid by design: it accepts analogue and digital sources alike and provides outputs in both domains. It offers four stereo busses, dual-domain outputs and sample-rate conversion on all digital inputs.
The frame comes in 18- or 26-position sizes (12 or 20 input modules), plus an output module, a control-room module and a studio module. The input daughter cards are interchangeable, allowing a channel to be converted analogue-to-digital on site. LED metering shows full-scale digital peak and VU; automatic timer, machine interface and clock are standard. The power supply is a separate 2U rackmount SPS-100, convection cooled.
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Documents are archived locally for preservation. Source credited. Takedown requests: [email protected]