Description
Technical
Specifications
Processing
| Architecture | In-line analogue recording console, modules designed by Rupert Neve |
|---|---|
| Frame | Configurations up to 56, even 64 channels; found with 48 Rupert Neve modules plus stereo modules |
| EQ | MZ strip with a Rupert Neve proportional-Q equaliser, variable frequency and Q |
Surface
| Motorized faders | No |
|---|---|
| Touchscreen | No |
| Automation | Timecode-based Supertrue automation: TFT screen in the meter bridge, keyboard and trackball plus dedicated keys; keeps the last 6 passes in RAM (the 7th overwrites the 1st), saving to hard disk |
Recording
| Onboard recording | No |
|---|
Networking
| Redundant PSU | No |
|---|---|
| Redundant networking | No |
Strip & details
Rotate your phone to landscape for a better view of the strip.
Editorial & artists
Our take
History & design
The Amek Mozart is an in-line analogue recording console from the early 1990s whose modules were designed by Rupert Neve, then an Amek consultant. It is found in configurations up to 56, even 64 channels, typically with 48 Rupert Neve modules complemented by stereo modules.
The MZ strip carries a Rupert Neve proportional-Q equaliser (variable frequency and Q) with musical behaviour. The timecode-based Supertrue automation is driven from a TFT screen set in the meter bridge, with keyboard, trackball and dedicated keys; it keeps the last six passes in RAM (the seventh overwriting the first) and saves to hard disk.
- Rupert Neve, Module design (preamps, EQ)
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Documents are archived locally for preservation. Source credited. Takedown requests: [email protected]






