Tascam SS-R300N: specs and networked playout with FTPS, SFTP and Dante

0

Behind the consoles and microphones sit the machines that quietly run a facility—until the day they fail. The solid-state recorder/player is one of them. Tascam is refreshing its own with the SS-R300N, successor to the SS-R250N, with a clear focus on networking and system integration for broadcast and installation.

A facility recorder/player built for reliability

In a 1U chassis, the SS-R300N records and plays up to 96kHz / 24-bit on SD/SDXC cards and USB drives, with dual media slots to secure long recordings. It even accepts an external USB CD drive to play audio discs or AAC files. On the operations side, you get the functions expected of a playout machine: pre-recording, track editing, pitch adjustment, mono mix and, crucially, the EOM (End of Message) function that radio and installs rely on.

TASCAM SS-R300N, side view
Credit: TASCAM

Networking at the core

This is where the SS-R300N stands out. Through its LAN port, it establishes a direct, secure link to a server: file upload and download via FTPS client and SFTP server/client, so content moves automatically without ever handling the SD card. It also speaks OSC to talk to external control systems, and keeps Ethernet, RS-232C and a parallel I/O for control and automation. An SNTP-synchronised clock rounds things out for timed operations.

The TASCAM SS-R300N rear connectivity
Credit: TASCAM

Optional Dante

To join an audio-over-IP infrastructure, the SS-R300N takes the optional IF-DA2 Dante card. It then shifts from a standalone player to a node integrated into the studio or venue network. If the topic is still fuzzy, our feature on audio over IP explains what Dante, AES67 and ST 2110 actually change. That network-first logic is spreading across the rack, from compact consoles to the new DHD MX3. It also fits neatly alongside a small mixer-recorder like the Tascam Model 12 in a podcast or radio setup.

The TASCAM SS-R300N with the optional IF-DA2 Dante card
Credit: TASCAM
SpecTascam SS-R300N
Format1U rack, 2 channels
ResolutionUp to 96kHz / 24-bit
MediaSD/SDXC (dual), USB up to 512GB
NetworkFTPS client, SFTP server/client, OSC, SNTP
ControlEthernet, RS-232C, parallel I/O
Audio over IPOptional Dante (IF-DA2 card)

My take

This kind of box never looks exciting on paper, and that is exactly its virtue: a playout player should be invisible and unbreakable. Adding FTPS and SFTP is the real progress here—moving content securely without ever touching the SD card is what separates an install tool from a plain recorder. The optional Dante card fully anchors the SS-R300N in a modern facility. Pricing is still to come, but for a radio station, a theatre or any venue playing out around the clock, this is the type of unit you forget about—in the best possible way.

Share.

About Author

After 20+ years in professional audio: live sound engineering, studio technical direction (Deep Forest, Pierre Jacquot), head of digital marketing at Playback.fr. A first-hand witness to the analog-to-digital shift, I track the whole audio landscape and break it down here — no fluff.