Hollyland MELO P1: the wireless audio studio that fits in a charging case

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Hollyland, best known for its wireless video systems and intercoms, is going after the creator’s audio chain with the MELO P1. The idea: fold what used to take several devices, from mic to mixer to monitoring, into a single box, and make the whole thing fully wireless. It’s a pitch aimed squarely at podcasting, streaming and mobile creation.

A capture studio inside a charging case

The MELO P1 gathers a 1-inch large-diaphragm condenser mic, a smart audio mixer, wireless monitoring earphones, a remote and the charging case that houses it all. The mic packs a shock-absorbing chamber, a careful preamp and AI-assisted noise reduction; it claims 32-bit capture and a high maximum sound pressure level, enough to take loud sources without clipping.

32-bit float capture is the central argument for this kind of use: it forgives level mistakes, since you can re-adjust gain in the edit without wrecking a signal that ran too hot or too low. For a creator recording alone, with no engineer watching the peaks, that’s a real safety net.

Micro à condensateur à large membrane d'un pouce du Hollyland MELO P1
Credit: Hollyland

A 55-gram mixer that juggles four sources

The centrepiece is that 55-gram smart mixer with dual DSP. It blends up to four sources in real time: two wireless mic inputs, a 3.5 mm instrument input and a backing track sent over Bluetooth, all handled in a 32-bit digital path. You control everything from the HollyAudio app, which offers over a hundred presets and a studio-grade effects chain.

The link between mic and earphones runs on low-latency 2.4 GHz, with a claimed range of up to 60 metres in the open, while the remote and backing tracks go over Bluetooth across about ten metres. For I/O, there’s a 3.5 mm in/out, a USB-C output and a fast-charge port.

Le mixeur audio intelligent de 55 grammes du MELO P1
Credit: Hollyland

Key points

SpecDetail
Mic1-inch large-diaphragm condenser, damped chamber, AI noise reduction
Capture32-bit, high maximum SPL
Mixer55 g, dual DSP, up to 4 sources in real time
Wireless2.4 GHz up to 60 m; Bluetooth for remote and backing tracks
BatteryCharging case up to 40 h total, USB-C fast charging
VersionsSolo, Combo, Ultimate Combo, roughly $249 to $449

Battery life is clearly built for a shooting day: the mixer lasts several hours, the earphones and mic longer, and the case supplies several full recharges, with fast charging over USB-C Power Delivery. Three versions are offered, from the essential kit to the fullest bundle.

Le micro du Hollyland MELO P1 tenu en main
Credit: Hollyland

My take

This kind of all-in-one kit won’t replace a real studio chain, and that isn’t its job. Where it earns its keep is mobile capture: an outdoor podcast, a street live set, a shoot with no control room. The 32-bit float capture is the one argument I accept without reservation, because it genuinely changes life for anyone recording solo. On the AI noise reduction, I stay cautious: it’s a useful fix in a pinch, never a substitute for a good capsule and proper mic placement.

The full presentation is on the Hollyland site. To dig deeper into feeding remote guests, revisit our guide to mix-minus in radio and podcast and our walkthrough of the Tascam Model 12 for podcast.

Frequently asked questions

What exactly is in the MELO P1?

The system brings together a 1-inch condenser mic, a smart audio mixer, wireless monitoring earphones, a remote and a charging case. Depending on the version chosen, the number of included pieces varies.

How many sources does the mixer handle?

Up to four at once: two wireless mics, a 3.5 mm instrument input and a backing track over Bluetooth. Mixing happens in real time through the dedicated app.

What is the wireless range and battery life?

The 2.4 GHz mic-to-earphones link is rated up to 60 metres in the open. The charging case totals around forty hours of use and supports USB-C fast charging.

Does 32-bit capture actually help?

Yes, for solo recording. It offers wide dynamic headroom and lets you rescue a badly set level in the edit, without clipping on peaks or excessive noise on quiet passages.

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About Author

After 20+ years in professional audio: live sound engineering, studio technical direction (Deep Forest, Pierre Jacquot), head of digital marketing at Playback.fr. A first-hand witness to the analog-to-digital shift, I track the whole audio landscape and break it down here — no fluff.