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<url><loc>https://digital-mixing.com/en/features/19868-like-the-universal-audio-volt-6-usb-audio-interfaces-for-the-home-studio-2026-17-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-17T09:24:44+02:00</news:publication_date><news:title>Like the Universal Audio Volt: 6 USB audio interfaces for the home studio (2026)</news:title></news:news></url>
<url><loc>https://digital-mixing.com/studio/19867-comme-luniversal-audio-volt-6-interfaces-audio-usb-pour-home-studio-2026-17-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>fr</news:language></news:publication><news:publication_date>2026-10-17T09:24:42+02:00</news:publication_date><news:title>Comme l’Universal Audio Volt : 6 interfaces audio USB pour home-studio (2026)</news:title></news:news></url>
<url><loc>https://digital-mixing.com/en/features/19860-podcast-loudness-what-lufs-target-for-spotify-apple-and-youtube-17-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-17T08:53:01+02:00</news:publication_date><news:title>Podcast loudness: what LUFS target for Spotify, Apple and YouTube</news:title></news:news></url>
<url><loc>https://digital-mixing.com/broadcast/19859-loudness-podcast-quelle-cible-lufs-pour-spotify-apple-et-youtube-17-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>fr</news:language></news:publication><news:publication_date>2026-10-17T08:52:59+02:00</news:publication_date><news:title>Loudness podcast : quelle cible LUFS pour Spotify, Apple et YouTube</news:title></news:news></url>
<url><loc>https://digital-mixing.com/en/features/19858-reverb-and-delay-in-a-live-mix-how-to-use-effects-at-front-of-house-17-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-17T08:52:56+02:00</news:publication_date><news:title>Reverb and delay in a live mix: how to use effects at front of house</news:title></news:news></url>
<url><loc>https://digital-mixing.com/live/19857-reverbe-et-delai-en-facade-utiliser-les-effets-dans-un-mix-live-17-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>fr</news:language></news:publication><news:publication_date>2026-10-17T08:52:53+02:00</news:publication_date><news:title>Réverbe et délai en façade : utiliser les effets dans un mix live</news:title></news:news></url>
<url><loc>https://digital-mixing.com/en/features/19856-how-does-a-compressor-work-threshold-ratio-attack-and-release-explained-17-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-17T08:52:49+02:00</news:publication_date><news:title>How does a compressor work? Threshold, ratio, attack and release explained</news:title></news:news></url>
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<url><loc>https://digital-mixing.com/en/music/19854-freds-lab-tooro-mkii-price-specs-and-the-16-bit-hybrid-synth-reborn-17-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-17T08:52:43+02:00</news:publication_date><news:title>Fred’s Lab Töörö mkII: price, specs and the 16-bit hybrid synth reborn</news:title></news:news></url>
<url><loc>https://digital-mixing.com/musique/19853-freds-lab-tooro-mkii-le-synthe-hybride-6-voix-repart-en-16-bits-499-e-17-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>fr</news:language></news:publication><news:publication_date>2026-10-17T08:52:39+02:00</news:publication_date><news:title>Fred’s Lab Töörö mkII : le synthé hybride 6 voix repart en 16 bits (499 €)</news:title></news:news></url>
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<url><loc>https://digital-mixing.com/broadcast/19844-le-ndi-explique-la-video-et-laudio-sur-ip-pour-la-production-le-streaming-et-le-podcast-video-16-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>fr</news:language></news:publication><news:publication_date>2026-10-16T08:54:52+02:00</news:publication_date><news:title>Le NDI expliqué : la vidéo et l&#8217;audio sur IP pour la production, le streaming et le podcast vidéo</news:title></news:news></url>
<url><loc>https://digital-mixing.com/en/features/19842-subwoofer-placement-for-live-sound-mono-vs-stereo-boundary-gain-and-coupling-16-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-16T08:54:45+02:00</news:publication_date><news:title>Subwoofer placement for live sound: mono vs stereo, boundary gain and coupling</news:title></news:news></url>
<url><loc>https://digital-mixing.com/live/19841-ou-placer-vos-caissons-de-basse-en-sonorisation-mono-ou-stereo-effet-de-bord-et-couplage-16-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>fr</news:language></news:publication><news:publication_date>2026-10-16T08:54:42+02:00</news:publication_date><news:title>Où placer vos caissons de basse en sonorisation : mono ou stéréo, effet de bord et couplage</news:title></news:news></url>
<url><loc>https://digital-mixing.com/en/features/19838-what-is-comb-filtering-why-your-sound-goes-hollow-when-signals-combine-16-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-16T08:54:30+02:00</news:publication_date><news:title>What is comb filtering? Why your sound goes hollow when signals combine</news:title></news:news></url>
<url><loc>https://digital-mixing.com/studio/19837-le-filtrage-en-peigne-explique-pourquoi-le-son-se-creuse-quand-deux-signaux-se-combinent-16-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>fr</news:language></news:publication><news:publication_date>2026-10-16T08:54:27+02:00</news:publication_date><news:title>Le filtrage en peigne expliqué : pourquoi le son se creuse quand deux signaux se combinent</news:title></news:news></url>
<url><loc>https://digital-mixing.com/en/music/19835-teenage-engineering-op-xy-os-1-2-drumline-drum-engine-and-multichannel-usb-audio-16-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-10-16T08:54:22+02:00</news:publication_date><news:title>Teenage Engineering OP-XY OS 1.2: Drumline drum engine and multichannel USB audio</news:title></news:news></url>
<url><loc>https://digital-mixing.com/musique/19834-teenage-engineering-op-xy-los-1-2-ajoute-un-moteur-de-batterie-drumline-et-laudio-usb-multicanal-16-10-2026/</loc><news:news><news:publication><news:name>Digital Mixing</news:name><news:language>fr</news:language></news:publication><news:publication_date>2026-10-16T08:54:18+02:00</news:publication_date><news:title>Teenage Engineering OP-XY : l&#8217;OS 1.2 ajoute un moteur de batterie Drumline et l&#8217;audio USB multicanal</news:title></news:news></url>
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